Aneta Georgievska-Shine

 

 

 

Books:

Rubens, Velazquez, and the King of Spain (with Larry Silver), Ashgate, 2014.

Rubens and the Archaeology of Myth (1610-1620): Visual and Poetic Memory, Ashgate, 2009.

Articles in peer-reviewed journals:

“A counterfeit of what has to decay”: Vermeer and the Mapping of Absence in A Woman with a Lute, Journal of the Historians of Netherlandish Art (Special Issue in Memory of Walter Liedtke), 2016.

 

“Vermeer, the Art of Meditation, and the Allegory of Faith,” Intersections, Vol. 34, 2016, 461-488.

 

“The Album Amicorum and the Kaleidoscope of the Self: Notes on the Friendship Album of Jacob Heybloq,” Intersections, Vol. 34, 2015, 179-204.

 

"Titian and the Paradoxes of Love and Art in Venus and Adonis,” Artibus et Historiae, 2012.

 

"Rubens’s Europa and Titian’s Auctoris Index," Nederlands Kunsthistorisch Jaarboek, 2009.

 

“Rubens and the Tropes of Deceit in Samson and Delilah”, Word and Image, Vol. 23, No. 4, 2007.

 

“Titian, Europa, and the Seal of the Poesie”, Artibus et Historiae, No. 56, (Special edition in Memory of William R. Rearick, 1930-2004/ Part II), 2007.

 

“From Ovid’s Cecrops to Rubens’s City of God in The Finding of Erichthonius,”  The Art Bulletin, March, 2004.

                            *Reviewed, Frankfurter Allgemeine Zeitung, September 1, 2004

 

“Horror and Pity: “Thoughts on the Sense of the Tragic in Rubens’s Hero and Leander and The Fall of Phaeton,” Marburger Jahrbuch für Kunstwissenschaft, 63, 2003.

 

“On Juno and her Semblance in Rubens’s Ixion,” Artibus et Historiae, 46, 2002.

Contributions to peer-reviewed collections of essays:

“Velázquez and the Philosophers in Torre de la Parada,” in New Approaches to Velazquez, edited by Giles Knox and Tanya Tiffany (Brepols, 2017).

 

“Velázquez, the Rokeby Venus, and Gracian,” in The Enduring Legacy of Venetian Renaissance Art, edited by Andaleeb Banta (Ashgate, 2016).

 

 

“Velázquez and the Gift of Bacchus,” in Parody and Festivity in the Early Modern Period, edited by David R. Smith (Ashgate, 2012).

 

“Velázquez and the unfinished story of Arachne,” in The Subject as Aporia in Early Modern Art, edited by Alexander Nagel and Lorenzo Pericolo (Ashgate, 2010).

Reviews:

McGrath, Elizabeth, Gregory Martin, Fiona Healy, Bert Scheppers, Carl van de Velde and Karolien de Clippel, Corpus Rubenianum Ludwig Burchard, Part XI (1) Mythological Subjects: Achilles to the Graces (London/Turnhout: Harvey Miller Publishers), 2016. (Vol.1) Journal of the Historians of Netherlandish Art, Vol. 34, Fall 2016 (in press)

 

Corina Kleinert, Peter Paul Rubens (1577-1640) and his Landscapes: Ideas on Nature and Art (Pictura Nova. Studies in 16^th and 17^th-Century Flemish Painting and Drawing, XX). Turnhout: Brepols, 2014. Spring, 2016.

 

Simon McKeown, ed., Otto Vaenius and his Emblem Books (Glasgow Emblem Studies, 15). Glasgow: Stirling Maxwell Centre for the Study of the Word/Image Cultures 2012.

Journal of the Historians of Netherlandish Art, Vol. 32, Apr. 2015, 34-35.

 

Ben van Beneden, ed., Rubens in Private: The Master Portrays his Family. [Cat. exh. The Rubenshuis, Antwerp, March 28 – June 28, 2015.] London: Thames & Hudson, 2015. Journal of the Historians of Netherlandish Art, Vol. 32, Nov. 2015, 37-38.

 

Dixon, Laurinda S., The Dark Side of Genius: Melancholic Persona in Art, ca. 1500-1700, State Park: Penn State University Press, 2013), Journal of the Historians of Netherlandish Art, 2014.

 

Berger, Harry, Jr., Caterpillage: Reflections on Seventeenth-Century Dutch Still-Life Painting, New York: Fordham University Press, 2011, Renaissance Quarterly, Vol. 4, 2011.

 

Judith Leyster, National Gallery of Art, 2009, Journal of Early Modern Women, Vol. 3, 2010.

 

Wayne Franits, Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution (2004), Kunstform, historicum.net, December, 2005.

 

Kristin Lohse Belkin and Fiona Healy. A House of Art: Rubens as Collector (2004), Historians of Netherlandish Art, May, 2005

 

Martha Hollander. An Entrance for the Eyes: Space and Meaning in Seventeenth-Century Dutch Art (2002) College Art Association web reviews, January 2003.

 

Erik Jan Sluijter, Seductress of Sight (2000), College Art Association web reviews, March-April, 2001.

 

Francesco Colonna, Hypnerotomachia Poliphili, trans. J. Godwin, (London: 1999), College Art Association web reviews, April, 2000.

Miscellanea:

Essay on Mario Praz, “On the Parallel of Literature and the Visual Arts,” The A.W. Mellon Lectures in the Fine Arts: Fifty Years, National Gallery of Art, Center for Advanced Study in the Visual Arts, Washington, 2002, No. 16, 87-88.
 
Adriaen Brouwer: Youth Making a Face, brochure for the focus show at the National Gallery, co-authored with Arthur Wheelock, Jr., National Gallery of Art, Washington, 1995, n.p.

SELECTED PUBLICATIONS ON MODERN AND CONTEMPORARY ART:

“Kitty Klaidman and the Geography of the Self,” in Kitty Klaidman: A Thirty-Year Survey, Marsha Matejka Gallery, May-June, 2016.

 

“Beverly Ress and the Hedge at the Bottom of the Garden,” in Beverly Ress: Drawings, American University Museum at the Katzen Arts Center, Washington D.C., Nov.-Dec. 2015, n.p.

 

Exhibition review, Bernardy Roig, The Phillips Collection, Sculpture Magazine, June, 2015

Interview with Emilie Brzezinski, Sculpture Magazine, April, 2015

“Spirit into Matter: Sculpture as a Life-Form,” Emilie Brzezinski: The Lure of the Forest, New York, 2014

 

Exhibition review, Joan Danziger (Katzen Art Center), Sculpture Magazine, March 2013

Essay on the recent work of Foon Sham, Sculpture Magazine, November 2012

 

Exhibition review, Rachel Rottenberg, Hilyer Art Place, Sculpture Magazine, December 2012

 

Regular contributor to ArtUS, The Foundation for International Art Criticism. Exhibition reviews: Guillermo Kuitca, Hirshhorn Museum (2011), Yves Klein, Hirshhorn Museum (2010), Arshile Gorky, Philadelphia Museum of Art (2010), William Kentridge, MOMA (2010), Anne Truitt, Hirshhorn Museum (2010), The Meyerhoff Collection, NGA (2010), Francis Bacon, Metropolitan Museum of Art, N.Y. (2009), Cézanne and Beyond, Philadelphia Museum of Art (2009), Ori Gersht, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2009), Allegory of Vanities, Erasmus House, Anderlecht (2008), Unmonumental, New Museum of Contemporary Art (2008), Yuriko Yamaguchi, University of Maryland Art Gallery (2008), Sigmar Polke and Chen Zhen, Vienna MUMOK/ Kunshalle (2007), Contemporary Iranian Photography, University of Maryland Art Gallery (2007), Jasper Johns: An Allegory of Painting, National Gallery of Art, Washington (2007), The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2006), Eric Sandberg, Conner Contemporary, Washington, D.C. (2006), Anselm Kiefer, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2006), Hiroshi Sugimoto, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2006), and Wayne Gonzales, Conner Contemporary, Washington, D.C. (2006).

Essay for an exhibition catalogue, Kupka/ Mondrian, Kampa Museum, Prague, 2007.

Essay for an exhibition catalogue, Warhol and the Spectacle of Death, Kampa Museum, Prague, 2007.

Essay for an exhibition catalogue of the work of the Washington sculptor Emilie Benes Brzezinski, University of Virginia Art Museum, June-September, 2003.

Essay for an exhibition catalogue of the work of the Washington sculptor Emilie Benes Brzezinski, for a traveling exhibition to Bratislava, Slovak Republic; Warsaw, Poland; Prague, Czech Republic; April-November 2002. 

“Localización de móviles gráficos de Kupka: En busca de la trama de la natureleza,” essay in the catalogue Kupka: Localización de móviles gráficos 1912-13, Thyssen-Bornemisza Museum, Madrid, 1998, 25-39.

Frantishek Kupka: From the Collection of Jan and Meda Mladek in Washington, Czech Museum of Applied Arts, Prague, May 15-August 25, 1996 (listed as a collaborator of Meda Mladek in the conceptual organization of the exhibition and the writing of the catalogue).

“Annunciations out of the Dark: A View of Macedonian Art Today," Cross Currents, A Yearbook of Central European Culture, Vol.12, Yale University Press, 1993, 237-243. 

“Biafra - the Zagreb Art of Expression," Cross Currents, A Yearbook of Central European Culture, Vol.11, Yale University Press, 1992, 245-249.

 

CURATORIAL EXPERIENCE - MODERN AND CONTEMPORARY ART:

 

2017: Guest curator, Elzbieta Sikorska: American University Museum at the Katzen Arts Center, Washington D.C. (April, 2017)

 

2016: Guest curator, The High Stakes of Macedonia’s “Colorful Revolution,” American University Museum at the Katzen Arts Center, Washington D.C. November-December, 2016.

 

2016: Guest curator, Micheline Klagsbrun: Blossoms of Loss and Desire, The Studio Gallery, Washington D.C., May-June, 2016.

 

2015: Guest curator, Beverly Ress: Drawings, American University Museum at the Katzen Arts Center, Washington D.C.

 

2014: Guest curator, The Arts Club of Washington, member show.

 

2013: Guest curator, Color This Time: Recent Photographs of Peter Karp, Studio Gallery, Washington D.C.

 

2010: Guest curator, Compressed Narratives, Gateway Art Center, Brentwood, Maryland (Aniko Makranczy, Juan Rojo Acebes, Peter Gordon).

 

2007: Guest curator, Andy Warhol: Disaster Relics, Kampa Museum, Prague.

 

2007: Curatorial consultant, Kupka/ Mondrian, Kampa Museum, Prague.

 

2004: Guest curator, Indonesian art from the World Bank art collection, the World Bank, Washington, D.C.

 

2000: Curatorial advisor, Historic Photographs of the Balkans by Kurt Wentzel (1905-1908), The World Bank, Washington, D.C.

 

2000: Curatorial advisor, contemporary Macedonian art, the World Bank, Washington, D.C.

 

2000: Curatorial advisor, contemporary art from Azerbaijan, the World Bank, Washington.