Skip to main content
Skip to main content

Research and Innovation

Research in art history and archaeology is an interdisciplinary enterprise.

Engaging diverse theoretical frameworks and research methods, our faculty produce innovative scholarship in the form of books and articles, digital projects, museum exhibitions, public lectures and more. Our faculty lead national networks and conferences (including the Archaeological Institute of America and the College Art Association), providing innovative research frameworks and making significant contributions to UMD's research enterprise.

 

Consolidated ARTH Statement of Commitment to Diversity, Equity and Inclusion
(Prepared by the DEI Task Force and Approved by GAHA May 2022)

We, the members of the Department of Art History and Archaeology at the University of Maryland, affirm that Black lives matter and condemn the ongoing violence of systemic racism, xenophobia, homophobia, transphobia, and other acts of injustice and harm impacting BIPOC and other marginalized people. We recognize and are willing to confront the roles of Art History and Archaeology in elevating and perpetuating Eurocentrism and its attendant systems of oppression including colonization, exploitation of labor, exploitation of the nonhuman world, sexism, classism, and white supremacy inside and outside academia. We recognize that this list is not all-inclusive and is ever evolving, and to it more will be added. Continuing the work begun by graduate students, faculty, and staff in the summer of 2020 following the murder of George Floyd by police, we commit to building and maintaining a more inclusive, equitable, anti-racist and pluralistic department. As part of this commitment, we recognize the need to confront and redress bias and harm and to challenge monocultural norms and expectations.

In this process, we are inspired by and join the campus-wide efforts to reckon with the University of Maryland’s long record of discrimination, racial injustice, and actions that undermine the very principles of intellectual and moral integrity for which we stand. 

We are committed to lifting up and expanding the diversity of our department community and to improving inclusivity and equity in our departmental practices, policies, and culture. In the study and practice of art history and archaeology, diversity and differences are assets. Our department affirms that diversity is expressed in myriad forms, including race, ethnicity, sex, gender, sexual orientation, class, immigration status, body type, language, culture, national origin, religion, age, ability, and political perspective. We are made stronger by inviting in and providing for the diverse voices, approaches and contributions that form the foundation of our twinned disciplines, and which enable our community, as a whole, to thrive. While our disciplines have collaborated in structures of oppression, we wish to affirm the role that we in the humanities and in art history and archaeology can play in helping to envision and make possible a world that is both sustainable and just.  

We envision our department as a space of care, safety, and respect for all of our members. All of our voices are valuable and our actions matter. We commit to upholding this vision in our work together.

Research and Service

Show activities matching...

filter by...

Contemporary Chinese Art and Film: Theory Applied and Resisted

This volume focuses on the uses and status of theory originating in non-Chinese places in the creation, curating, narration, and criticism of contemporary Chinese visual culture, broadly defined.

Art History and Archaeology

Author/Lead: Jason Kuo
Dates:
Publisher: New Academia Publishing
Contemporary Chinese Art and Film: Theory Applied and Resisted
In the past two decades, contemporary Chinese art and film have attracted a great deal of media and academic attention in the West, and scholars have adopted a variety of approaches in Chinese film and visual studies. The present volume focuses on the uses and status of theory originating in non-Chinese places in the creation, curating, narration, and criticism of contemporary Chinese visual culture (broadly defined to include traditional media in the visual arts as well as cinema, installation, video, etc.). Contributors reflect on the written and, even more interestingly, the unwritten assumptions on the part of artists, critics, historians, and curators in applying or resisting Western theories.The essays in the present volume demonstrate clearly that Western theory can be useful in explicating Chinese text, as long as it is applied judiciously; the essays, taken as a whole, also suggest that cultural exchange is never a matter of one-way street. Historically, ideas from traditional Chinese aesthetics have also traveled to the West, and it is a challenge to examine what travels and what does not, as well as what makes such travel possible or impossible. The present volume thus provides us an opportunity to rethink travels of theories and texts across cultures, languages, disciplines, and media.

Read More about Contemporary Chinese Art and Film: Theory Applied and Resisted

"The Pictures Generation"

A short essay for the online education platform Khan Academy on the group of artists known as "The Pictures Generation."

Art History and Archaeology

Author/Lead: Jordana Saggese
Dates:
Publisher: Khan Academy
A short essay for the online education platform Khan Academy on the group of artists known as "The Pictures Generation." I introduce the main critical concerns of these artists, as well as their legacy for contemporary art. Artists discussed include Sherrie Levine and Carrie Mae Weems.

Read More about "The Pictures Generation"

“Authority, Autonomy and the Early Taishô ‘Avant-garde’”

This essay explicates the relational nature and political context of the Japanese avant-garde between 1900 and 1930.

Art History and Archaeology

Author/Lead: Alicia Volk
Dates:
Publisher: Duke University Press
This essay addresses the problematic notion of the “avant-garde” in the context of Japanese modern art. It looks at the formation in 1907 of the national salon, the Bunten, to elucidate the relational dynamics of art organizations in early twentieth-century Japan, especially during the Taisho period (1912 – 27) when the Fusain Society (Fyûzankai) and the Nika Society (Nikakai) came into being as alternatives to the Bunten. The essay elucidates one of the fundamental paradoxes of Taisho-period art — the simultaneous proliferation of art organizations and artistic individualism — and the dialectic between authority and autonomy that prevailed in art under the conditions of Japanese modernity.

Read More about “Authority, Autonomy and the Early Taishô ‘Avant-garde’”

Augustine Beyond the Book: Intermediality, Transmediality and Reception

An international collection of interdisciplinary studies on Augustine's reception

Art History and Archaeology

Author/Lead: Meredith J. Gill
Non-ARHU Contributor(s):

Karla Pollmann, Ph.D. (1990) in Classics, Ruhr-Universität Bochum, is Professor of Classics at St Andrews University.

Dates:
Cover of Augustine Beyond the Book: Intermediality, Transmediality and Reception (Brill's Church History)

This interdisciplinary collection of essays investigates the processes by which Augustine of Hippo's writings were re-invented in other media, including the visual arts, drama and music. Thereby it highlights the crucial role of Augustine's readers in constructing his universal stature.

The DVD Novel: How the Way We Watch Television Changed the Television We Watch

This book examines how a significant shift in storytelling occurred with the rise of DVD sets, which meant television shows could live forever.

Art History and Archaeology

Author/Lead: Greg Metcalf
Dates:
The DVD Novel: How the Way We Watch Television Changed the Television We Watch
n 1981, NBC's Hill Street Blues combined the cop show and the soap opera to set the model for primetime serial storytelling, which is evident in The Sopranos, The Wire, and Breaking Bad. In 1963, ABC's The Fugitive showed how an anthology series could tell a continuing tale, influencing The X-Files, House, and Fringe. In 1987, NBC's The Days and Nights of Molly Dodd changed the situation comedy into attitudinal comedy, leading to Weeds, Nurse Jackie, and Entourage. The DVD Novel: How the Way We Watch Television Changed the Television We Watch not only examines how American television shows changed, but also what television artists have been able to create. The book provides an alternate history of American television that compares it to British television, and explains the influence of Dennis Potter's The Singing Detective on the development of long-form television and the evolution of drama shows and sitcoms. The work considers a wide range of network and cable television shows, paying special attention to the work of Steven Bochco, David Milch, and David Simon, and spotlighting the influence of graphic novels and literary novels in changing television

Read More about The DVD Novel: How the Way We Watch Television Changed the Television We Watch

Medicine Master Buddha: The Iconic Worship of Yakushi in Heian Japan

A monograph examining the sculpted images and devotional worship of the Medicine Master Buddha (J. Yakushi) during the Heian period (794-1185CE).

Art History and Archaeology

Author/Lead: Yui Suzuki
Dates:
Publisher: Brill
Medicine Master Buddha: The Iconic Worship of Yakushi in Heian Japan
This book illuminates the primacy of Buddhist icons in disseminating the worship of the Medicine Master Buddha (J. Yakushi) in Japan. Suzuki’s study explicates how the devotional worship of Yakushi, one of the earliest Buddhist cults imported to Japan from China and Korea, developed its own distinctive Japanese imprint after centuries of blending with local beliefs, dispositions and ritual practices. Worship of the Medicine Master Buddha became most influential during the Heian period (794-1185) and its sculptural forms were enshrined in temples across Japan and widely disseminated to people in various levels of society. The book also focuses on Saichō (767-822), the founder of the Tendai school of Buddhism, and his personal reverence for the deity. Suzuki proposes that after Saichō’s death, the Tendai school played a critical role in further popularizing the cult to memorialize their founding master. The study reconsiders the devotional cult of the Medicine Master Buddha and its icons as paradigmatic of Heian religious and artistic culture.

Read More about Medicine Master Buddha: The Iconic Worship of Yakushi in Heian Japan

New Histories and New Methods in Engaging the Eastern European Avant-Gardes

A volume that introduces readers to the natures, subjects, and objectives of the Eastern European avant-garde.

Art History and Archaeology

Author/Lead: Steven Mansbach
Non-ARHU Contributor(s): Victor A. Friedman , Janis Kreslins
Dates:
Publisher: Slovak Academy of Sciences
The contributors to this volume (historians of art, of literature, of linguistics, and of architecture, as well as a practicing artist), acknowledging the tectonic shifts in academic practice and historical self-awareness prompted by post-Soviet and post-Yugoslav events, rethink the nature, subjects, and objectives of the avant-garde, both the historical ones of the early twentieth century and their more recent iterations. The present selection affords a rich introduction to some of the most imaginative thinking currently being focused on Eastern European modernism.

"Cut and Mix": Jean-Michel Basquiat in Retrospect"

A review of the 2010 Basquiat retrospective at the Fondation Beyeler.

Art History and Archaeology

Author/Lead: Jordana Saggese
Dates:
Publisher: Nka: Journal of Contemporary African Art
"Cut and Mix": Jean-Michel Basquiat in Retrospect"

In 1992, during the first retrospective of Basquiat's work, Richard Marshall lamented: "Jean-Michel Basquiat first became famous for his art, then he became famous for being famous, then he became famous for being infamous—a succession of reputations that often overshadowed the seriousness and significance of the art he produced." The artist's place is even now much more secure in pop culture than in academe, so the Basquiat retrospective that opened at the Fondation Beyeler in 2010 and subsequently traveled to the Musée d'Art Moderne de la Ville de Paris was not just a museum show to celebrate the artist's fiftieth birthday but also an argument for Basquiat's place in art history. Following precedent, this latest exhibition focused on the artist's larger, midcareer canvases, but this essay reads several of Basquiat's small-scale, early works as marked by often-overlooked inquiries into modernism, epistemology, and the potential of appropriation.

Read More about "Cut and Mix": Jean-Michel Basquiat in Retrospect"

Remaking Race and History: The Sculpture of Meta Warrick Fuller

Renée Ater’s monograph on Meta Warrick Fuller (1877-1968) considers the sculpture that the artist created for a series of early twentieth-century expositions.

Art History and Archaeology

Author/Lead: Renée Ater
Dates:
Publisher: University of California Press
Remaking Race and History: The Sculpture of Meta Warrick Fuller
This study focuses on the life and public sculpture of Meta Warrick Fuller (1877-1968). Ater examines the artist’s contributions to three early twentieth-century expositions: the Warrick Tableaux, as set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, a single female figure for the America’s Making Exposition (1921). Ater argues that Fuller’s efforts to represent black identity in art provide a window on the Progressive era and its heated debates about race, national identity, and culture. At the heart of the book is a consideration of the ways in which Fuller negotiated race, the ideology of racial uplift, Black history, and visual representation.

Read More about Remaking Race and History: The Sculpture of Meta Warrick Fuller

Titian, Colonna and the Renaissance Science of Procreation: Equicola's Seasons of Desire

This book demonstrates that Titian's famous series of bacchanalian paintings for Duke Alfonso d'Este's camerino -- and Francesco Colonna's literary romance titled 'Hypnerotomachia Poliphili' were both based upon the ancient medical notion of the 'libidin

Art History and Archaeology

Author/Lead: Anthony Colantuono
Dates:
Publisher: Ashgate
Titian, Colonna and the Renaissance Science of Procreation: Equicola's Seasons of Desire
Anthony Colantuono's monograph titled 'Titian, Colonna and the Renaissance Science of Procreation: Equicola's Seasons of Desire (Ashgate 2010 / Routledge paperback 2016) demonstrates that Bellini's and Titian's famous series of bacchanalian paintings (ca. 1511-25) for the camerino or personal study of Duke Alfonso I d'Este of Ferrara embodies the ancient medical theory of the 'libidinal seasons,' symbolically explicating how the masculine sexual drive and procreative potency changes throughout the four seasons of the year, and locating the optimal procreative moment in the season of spring. The study demonstrates that the artists received their iconographic instructions from the learned courtier Mario Equicola, who writes about this ancient theory in his book titled 'Libro de Natura De Amore,' composed precisely at the same moment. Relating this peculiar medical theme to the duke's dynastic role and his consequent obligation to produce legitimate offspring, the author shows that Francesco Colonna's literary romance, the Hypnerotomachia Poliphili (1499) engages a similar set of themes, similarly inspired by the predicament of the impotent Duke Guidubaldo I of Urbino.

Read More about Titian, Colonna and the Renaissance Science of Procreation: Equicola's Seasons of Desire