Lindsay Dupertuis

Lindsay Dupertuis is a Ph.D. candidate specializing in Italian Renaissance art. Her dissertation, "'The Ornament of the Mind': Istoriato Maiolica and the Luxury of Reading in Renaissance Urbino and Beyond," focuses on literary culture and the reception of humanism in ceramics workshops in sixteenth-century Italy and France. Central to this project is a custom data-set comprised of more than 400 maiolica dishes and over 70 related woodcuts and engravings.

More broadly, she researches issues of class, gender, and (dis)ability in the art and architecture of the domestic sphere.

For the 2018-2019 academic year, Lindsay is aGraduate Intern in the Department of Sculpture and Decorative Arts at the Getty Museum in Los Angeles. Previously, she worked as a Graduate Assistant in Digital Art History in the Michelle Smith Collaboratory for Visual Culture (2017-2018). In past semesters, she has also served as the graduate assistant for "Art History in Digital Dimensions," a digital art history symposium hosted by the department in October 2016. She also has extensive experience as a teaching assistant for ARTH 200 and ARTH 255. Additionally, she has served as a Graduate Intern in the Department of Sculpture and Decorative Arts at the National Gallery of Art (Summer 2015) and the Education Department of the Walters Art Museum (Summer 2013).

Lindsay graduated from Oberlin College in 2009 with Honors in Art History, where she wrote her senior thesis on a pair ofcassoniby Florentine artist Apollonio di Giovanni.