Christian Cloke
Associate Director of Michelle Smith Collaboratory for Visual Culture, Art History and Archaeology
Classics
ccloke@umd.edu
4205B Parren J. Mitchell Art-Sociology Building
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Education
Ph.D., Classics, University of Cincinnati
Research Expertise
Ancient Mediterranean
Archaeology
Digital Art History
Digital Humanities
Christian Cloke specializes in the archaeology of the ancient Mediterranean world, and employs a range of digital methods to do so. In his archaeological fieldwork (conducted in Italy, Jordan, Armenia, Albania, and Greece), he works with custom-built relational databases (taken into the field on iPads to foster paperless data collection), Geographical Information Systems (GIS), and a wide array of modeling and imaging techniques (photogrammetry, laser scanning, and reflectance transformation imaging, to name several). In all of his fieldwork (and through his larger research project on the Nemea Valley, Greece) he explores rural parts of the Mediterranean world, with the goal of illuminating the lives of people underrepresented in ancient historical texts.
Dr. Cloke holds a B.A. in Classics and Old World Archaeology and Art from Brown University, an M.Phil. in Archaeology (Museums and Cultural Heritage Management) from the University of Cambridge, and an M.A. and Ph.D. in Classics (Classical Archaeology) from the University of Cincinnati. He spent several years in Greece as a member of the American School of Classical Studies at Athens, and was a post-doctoral fellow at the Smithsonian American Art Museum and National Museum of American History, where he worked with the National Numismatic Collection. At the Smithsonian he researched ancient Greek and Roman portrayals of "others" (captives, personified provinces, and "barbarians"), demonstrating how the visual language of these types played a significant role in shaping modern American depictions of American Indians and abolitionist emblems of enslaved people. In addition to numismatics, he works often with Greek and Roman pottery, and, on a larger scale, studies ancient waterworks and agricultural systems.
In the Collaboratory he strives to develop digital projects with departmental and extra-departmental faculty, and to provide opportunities for undergraduate and graduate students to master and innovate dynamic approaches to studying and presenting material culture.
Publications
Thinking through Data in the Humanities and in Engineering
This article considers how the same data can be differently meaningful to students in the humanities and in data science.
This article considers how the same data can be differently meaningful to students in the humanities and in data science. The focus is on a set of network data about Renaissance humanists that was extracted from historical source materials, structured, and cleaned by undergraduate students in the humanities. These students learned about a historical context as they created first travel data, and then the network data, with each student working on a single historical figure. The network data was then shared with a graduate engineering class in which students were learning R. They too were assigned to acquaint themselves with the historical figures. Both groups then created visualizations of the data using a variety of tools: Palladio, Cytoscape, and R. They were encouraged to develop their own questions based on the networks. The humanists' questions demanded that the data be reembeded in a context of historical interpretation—they wanted to reembrace contingency and uncertainty—while the engineers tried to create the clarity that would allow for a more forceful, visually comprehensible presentation of the data. This paper compares how humanities and engineering pedagogy treats data and what pedagogical outcomes can be sought and developed around data across these very different disciplines.
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