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Research and Innovation

Research in art history and archaeology is an interdisciplinary enterprise.

Engaging diverse theoretical frameworks and research methods, our faculty produce innovative scholarship in the form of books and articles, digital projects, museum exhibitions, public lectures and more. Our faculty lead national networks and conferences (including the Archaeological Institute of America and the College Art Association), providing innovative research frameworks and making significant contributions to UMD's research enterprise.

 

Consolidated ARTH Statement of Commitment to Diversity, Equity and Inclusion
(Prepared by the DEI Task Force and Approved by GAHA May 2022)

We, the members of the Department of Art History and Archaeology at the University of Maryland, affirm that Black lives matter and condemn the ongoing violence of systemic racism, xenophobia, homophobia, transphobia, and other acts of injustice and harm impacting BIPOC and other marginalized people. We recognize and are willing to confront the roles of Art History and Archaeology in elevating and perpetuating Eurocentrism and its attendant systems of oppression including colonization, exploitation of labor, exploitation of the nonhuman world, sexism, classism, and white supremacy inside and outside academia. We recognize that this list is not all-inclusive and is ever evolving, and to it more will be added. Continuing the work begun by graduate students, faculty, and staff in the summer of 2020 following the murder of George Floyd by police, we commit to building and maintaining a more inclusive, equitable, anti-racist and pluralistic department. As part of this commitment, we recognize the need to confront and redress bias and harm and to challenge monocultural norms and expectations.

In this process, we are inspired by and join the campus-wide efforts to reckon with the University of Maryland’s long record of discrimination, racial injustice, and actions that undermine the very principles of intellectual and moral integrity for which we stand. 

We are committed to lifting up and expanding the diversity of our department community and to improving inclusivity and equity in our departmental practices, policies, and culture. In the study and practice of art history and archaeology, diversity and differences are assets. Our department affirms that diversity is expressed in myriad forms, including race, ethnicity, sex, gender, sexual orientation, class, immigration status, body type, language, culture, national origin, religion, age, ability, and political perspective. We are made stronger by inviting in and providing for the diverse voices, approaches and contributions that form the foundation of our twinned disciplines, and which enable our community, as a whole, to thrive. While our disciplines have collaborated in structures of oppression, we wish to affirm the role that we in the humanities and in art history and archaeology can play in helping to envision and make possible a world that is both sustainable and just.  

We envision our department as a space of care, safety, and respect for all of our members. All of our voices are valuable and our actions matter. We commit to upholding this vision in our work together.

Research and Service

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Painting and the Market in Early Modern Antwerp

How the art of painting responded to the conditions of a new market-based economy.

Art History and Archaeology

Author/Lead: Elizabeth A. Honig
Dates:
Publisher: Yale Books
Painting and the Market in Early Modern Antwerp
This book explores the ways in which Flemish painting between 1550 and 1650 both represented and reflected the burgeoning capitalism of Antwerp, Europe`s major trade center of the time. Honig focuses on representations of markets and the development of an aesthetic of display, and on the interaction between beholders and pictured markets – an aesthetic of exchange. She further argues that certain modern ways of collecting, displaying, and valuing paintings had their roots in the market aesthetics of this period.

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Modern Art in Eastern Europe, From the Baltic to the Balkans, ca. 1890-1939

This pioneering and award-winning study provides the world with the first coherent narrative of Eastern European contributions to the modern art movement.

Art History and Archaeology

Author/Lead: Steven Mansbach
Dates:
Publisher: Cambridge University Press
Modern Art in Eastern Europe, From the Baltic to the Balkans, ca. 1890-1939
Analyzing an enormous range of works, from art centers such as Prague, Warsaw and Budapest, (many published here for the first time), Modern Art in Eastern Europe shows that any understanding of Modernism is essentially incomplete without the full consideration of vital Eastern European creative output. He argues that Cubism, Expressionism and Constructivism, along with other great modernist styles, were merged with deeply rooted, Eastern European visual traditions. The art that emerged was vital modernist art that expressed the most pressing concerns of the day, political as well as aesthetic. Mansbach examines the critical reaction of the contemporary artistic culture and political state. A major groundbreaking interpretation of Modernism, Modern Art in Eastern Europe completes any full assessment of twentieth-century art, as well as its history.

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Guido Reni's 'The Abduction of Helen': The Politics and Rhetoric of Painting in Seventeenth-Century Europe

This book demonstrates that Guido Reni's painting, 'The Abduction of Helen,' was conceived and deployed by Pope Urban VIII and his nephew Cardinal Francesco Barberini as an instrument of diplomatic discourse in the context of the Thirty Years War.

Art History and Archaeology

Author/Lead: Anthony Colantuono
Dates:
Publisher: Cambridge University Press
Guido Reni's 'The Abduction of Helen': The Politics and Rhetoric of Painting in Seventeenth-Century Europe
Anthony Colantuono's monograph titled 'Guido Reni's Abduction of Helen' (Cambridge University Press, 1997) was the first major study of how the Barberini papacy (1623-44) used works of art as instruments of diplomatic discourse, furnishing artists with iconographic instructions encoding moral and political concepts designed to influence the intended recipient. Reni's 'Helen' for Philip IV of Spain is the prime example: The painting's imagery insinuates that the Spanish monarchy, like the Trojans of old, will receive divine punishment for their war-mongering behavior. The study also demonstrates that the peculiar flurry of encomiastic publications describing and interpreting the paintings were deliberately orchestrated to increase the fame of the painting after the Spanish ambsassador refused to accept it.

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The Colour of Sculpture: 1840-1910

This exhibition catalog covers a short history of Colour in sculpture in the 19th century - 1840-1910.

Art History and Archaeology

Author/Lead: June Hargrove
Dates:
Publisher: Waanders
The Colour of Sculpture: 1840-1910
Catalog of an exhibition held at the Van Gogh Museum in Amsterdam, July 26-Nov. 17, 1996 and at the Henry Moore Institute in Leeds, Dec. 13, 1996-Apr. 6, 1997.

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“‘If You Read It, I Wrote It’: The Anonymous Career of Comic Book Writer Paul S. Newman”

An essay that explores the relationship of word and image in American comic book publishing.

Art History and Archaeology

Author/Lead: Greg Metcalf
Dates:
Publisher: Journal of Popular Culture
An essay that explores the relationship of word and image in American comic book publishing.

A Catalogue of Paintings in the Folger Shakespeare Library: "As Imagination Bodies Forth"

This catalogue forms an essential chapter in the history of the development of literary painting and of Shakespearean criticism, in changes in approach to stagecraft, and in the evolution of Shakespeare portraiture.

Art History and Archaeology

Author/Lead: William L. Pressly
Dates: -
Publisher: Yalebooks
A Catalogue of Paintings in the Folger Shakespeare Library: "As Imagination Bodies Forth"
The Folger Shakespeare Library contains the finest collection of Shakespearean art ever assembled. Its two hundred paintings include scenes from Shakespeare's plays, portraits of the actors, and portraits of the playwright and his contemporaries, works that have been painted by artists such as Benjamin West, Henry Fuseli, Thomas Sully, George Romney, and Thomas Nast. This book is the first analysis, history, and catalogue of this important collection. This catalogue forms an essential chapter in the history of the development of literary painting and of Shakespearean criticism, in changes in approach to stagecraft, and in the evolution of Shakespeare portraiture. It is a valuable reference source not only for art historians but for literary and theatrical historians as well.

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The Statues of Paris: An Open-Air Pantheon

This work traces the history of public sculpture in Paris.

Art History and Archaeology

Author/Lead: June Hargrove
Dates:
Publisher: Mercatorfonds
The Statues of Paris: An Open-Air Pantheon
A beautifully photographed monolith of the statues of Paris from the Bourbon monarchy, the revolution, the Napoleonic era, the restoration of the monarchy, the second Republic, the second empire, the third republic and the Vichy government to the present.

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Liberty: The French-American Statues in Art and History

A fully illustrated history of the Statue of Liberty from a French and American perspective.

Art History and Archaeology

Author/Lead: June Hargrove
Dates:
Publisher: HarperCollins
Liberty: The French-American Statues in Art and History
This comprehensive and fully illustrated book about the Statue of Liberty traces its history, its art, its technology and construction, its symbolism, its importance in American imagery, and its role as a monument to French-American friendship. The Statue represents a cooperative effort by French and American art historians, social historians, and architects to understand how the Statue came to be, how it fits into the Western tradition of art and ideas, what it has meant to Americans, and what issues were involved in its renovation and rededication. The book contains over 500 visual images, many in color, from French and American collections.

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James Barry: the Artist as Hero

Catalogue of an exhibition from February 9 to March 20, 1983.

Art History and Archaeology

Author/Lead: William L. Pressly
Dates:
Publisher: Tate Gallery
James Barry: the Artist as Hero
Catalogue of an exhibition from February 9 to March 20, 1983.

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The Life and Art of James Barry

A monographic study of the life and art of James Barry, one of Britain's most important painters but who was born in Ireland

Art History and Archaeology

Author/Lead: William L. Pressly
Dates:
Publisher: Yalebooks
The Life and Art of James Barry

This book is the first modern study of James Barry, the finest of all painters working in Britain in the "grand manner." Born in Cork, Ireland, Barry settles in London in 1771 after five years of study in France and Italy financed by Edmund Burke. He was elected to the Royal Academy in 1773 and appointed professor of painting nine years later. In 1799, however, after fiercely denouncing its policies, he became the first and only artist to be expelled from the Academy. His paintings include several that rank with the nest contemporary work, and his murals at the Royal Society of Arts form perhaps the most important cycle of history paintings in Great Britain.

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